Work and Culture, Interactive Museum Memories

Exhibit sketch using the Blackstone River as a metaphor, visitors learn through interactive exhibits about how the mills changed the historical landscape Anne Conway, the director of the Museum of Work and Culture,  is the driving force behind “Woonsocket Works” a new exhibit that will give visitors the opportunity to learn through interactive experiences about...

Why is there a lighthouse on top of a mountain?

The War Memorial on top of Mount Greylock It is not a lighthouse, it is a beacon. What is the difference? It is all a matter of context; a lighthouse is specifically designed to guide ocean-going vessels away from treacherous shores and help in pinpointing their location. A beacon is more general, “a fire or...

The Geometry of Giving

Modest as it may be, the donor panel symbolizes something critical; it represents the generosity of the person to whom the building or exhibit owes its existence. Once a neglected design genre, donor panel systems are now striking features in the public spaces of building lobbies. They have grown in sophistication along with the architecture...

Making the Magic of Mount Greylock Accessible

Accessible exterior exhibits provide access, meaning, and magic To the residents of western Massachusetts, selecting Mount Greylock as the scene for a supernatural thriller is as natural as the clouds that envelope the peak giving it its name. After all, they are familiar with sightings of Bigfoot (of course), and ghostly “Old Coot”, a restless Civil...

Rebalancing the Confederate History Experience

  Interpretative exhibit design and lessons about American identity and family culture Our understanding of history changes over time, and the Civil War is a topic that is as alive as ever at the Confederate Reunion Grounds State Historic Site in Mexia, Texas.  Established in 1889 as the Joseph E. Johnston Camp of the United...